Sunday, October 14, 2007

Featured Playwright: Caridad Svich


BEST QUOTE: "Performance is always about life or death, whether it is sports or theater"

Caridad Svich is as much a major force in any American theater landscape as she is at the center of the Latino/Latina playwright world. Her plays and adaptations are only part of hr contribution to the theater. She is a prominent arts advocate, interviewer and publisher. She participates in multiple spheres and works as hard to promote and propel the works of colleagues as she does her own.

Bio:

Caridad Svich is a playwright-songwriter-translator-editor of Cuban-Argentine-Spanish and Croatian descent. Her works have been staged across the US and abroad at venues as diverse as Cincinnati Playhouse in the Park, INTAR, The Women's Project, 7 Stages, Cleveland Public Theatre, Salvage Vanguard Theatre, Dad's Garage and the Edinburgh Fringe Festival. Her plays have been workshopped by Actors Touring Company in London, Mark Taper Forum, The Public Theatre, A Contemporary Theatre/Hedgebrook, Last Frontier Theatre Conference, Royal Court Theatre, and Traverse Theatre in Edinburgh, among many others. Awards include 2002-2003 Bunting Fellowship from Harvard University/Radcliffe Institute for Advanced Study, a TCG/Pew National Theatre Artist Residency, an NEA/TCG Playwriting Residency, and Rosenthal New Play Prize. She is editor of Trans-Global Readings: Crossing Theatrical Boundaries (Manchester University Press), and Divine Fire: Eight Contemporary Plays Inspired by the Greeks (BackStage Books). She is co-editor of Conducting a Life: Reflections on the Theatre of Maria Irene Fornes (Smith & Kraus), Theatre in Crisis? (Manchester University Press), and Out of the Fringe: Contemporary Latina/o Theatre and Performance (TCG). Some of her translations are collected in Federico Garcia Lorca: Impossible Theatre (Smith & Kraus). She is founder of the pan-American theatre collective NoPassport, is contributing editor of TheatreForum, and on the advisory committee of Contemporary Theatre Review (Routledge/UK). She holds an MFA from UCSD

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