Saturday, August 18, 2007

Letter Rip! Part 1


Letter rip!
by Kato McNickle

When you send an unsolicited query package to a theater you are an unknown quantity. Within the multitude of other packages that arrive each week you are nearly invisible. Invisible in this business means unremarkable.

In a market flush with unknown and undiscovered playwrights, how do you set yourself apart?

First off, it's not really "yourself" sitting in that pile of queries; or is it?

How have you put "yourself" in that great big pile o' manila that's sitting in the literary managers office? Did you follow the submission instructions? Things like, did you include the requested number of pages; did you include your resume; did you bind or staple or leave free the pages as per request? Did you check the website to make sure you have the most up-to-date information for your package? Did you?

Did you spend time composing your query letter? Is your letter just a functional, nondescript front piece that says here's my plays and phone number, or did you take the time to create a one-page sheet that puts you in the room with the reader.

With the exception of the play itself, the letter you send is the most important piece of paper. Your letter sets the tone, it represents you, it is the first act in an important drama-the struggle for you to get your play read and considered by a real-live-professional-theater-company. Without a strong letter, your play may not be considered.

Does your letter represent you and your play? Does it express why you write for the theater, why you have written this play, and why you have sent it to this kind, passionate people? If it doesn't, or if it does other things - like presenting your credentials or other details that are not pertinent to - this play - this theater - right this minute - then you have some work to do on writing your cover letter.

Your letter is the gateway to your play. It is also the tool you have to state why you wrote this play for the theater. Don't waste that opportunity. Communicate your passion through that letter-- why is it important right here right now to this theater? That's the work of the letter. Put it in there.

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